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  Alinor

  Roberta Gellis

  Roselynde Chronicles, Book Two

  Now alone, despite her exquisite beauty, Lady Alinor is physically and emotionally deprived of love—until her amorous desires are stirred by the dark, sensuous Lord Ian de Vipont. Trapped in a maze of treacherous power plays and volatile liaisons, she is irresistibly swept into an intoxicating passion for a man whose forbidden love promises only pain and peril. A strong-willed woman desperate in her quest for love, Alinor will not heed even the most torturous obstacles in her path.

  From the brutal battlegrounds of France to the rich pageantry of English courts, Alinor’s turbulent adventures and romantic passions weave a breathtaking tale of danger and desire.

  An Ellora’s Cave Romantica Publication

  www.ellorascave.com

  Alinor

  ISBN 9781419931642

  ALL RIGHTS RESERVED

  Alinor Copyright © 1978, 2011 Roberta Gellis

  Cover art by Syneca

  Electronic book publication February 2011

  The terms Romantica® and Quickies® are registered trademarks of Ellora’s Cave Publishing.

  With the exception of quotes used in reviews, this book may not be reproduced or used in whole or in part by any means existing without written permission from the publisher, Ellora’s Cave Publishing, Inc.® 1056 Home Avenue, Akron OH 44310-3502.

  Warning: The unauthorized reproduction or distribution of this copyrighted work is illegal. No part of this book may be scanned, uploaded or distributed via the Internet or any other means, electronic or print, without the publisher’s permission. Criminal copyright infringement, including infringement without monetary gain, is investigated by the FBI and is punishable by up to 5 years in federal prison and a fine of $250,000. (http://www.fbi.gov/ipr/). Please purchase only authorized electronic or print editions and do not participate in or encourage the electronic piracy of copyrighted material. Your support of the author’s rights is appreciated.

  This book is a work of fiction and any resemblance to persons, living or dead, or places, events or locales is purely coincidental. The characters are productions of the author’s imagination and used fictitiously.

  Alinor

  Roberta Gellis

  Author’s Note

  Although scholarship in the past thirty years has redeemed King John as a king, not even Alan Lloyd in his Maligned Monarch (Doubleday: Garden City, N.Y., 1972)—who makes a strong effort—can really explain away the evidence concerning John’s unpleasant character. The fact that John was not a bad king in modern terms (in modern terms he was a far better king than Richard) is irrelevant. In terms of the period in which he lived, John was a despicable person, and Richard was a hero. It is hard for us now to understand because, by and large, the difference between the brothers turned upon the word “honor”, a term which is not only obsolete at present but very nearly laughable.

  Richard was a bad king. He was not only disinclined to the “business” of kingship but also extravagant in everything. He was far too generous in giving away crown property, thus impoverishing the throne and making it dependent upon taxation; he made extravagant vows, like taking the Cross, and fulfilled them to the political and financial detriment of his subjects; he was profligate in war, fighting everyone and anyone who would give him the opportunity. John was none of these things. He was efficient and attentive to the “business” of being a king; he reformed the courts, being very much interested in the law; he was more careful than ungenerous in rewarding those who served him; he fought only when war was forced upon him or when he could foresee a quick and easy victory.

  In medieval terms, however, the characteristics we see as failings in Richard were considered virtues; although damaging to those he ruled, the extravagance in war and in giving were “honorable”. That John lacked these characteristics was not seen as an advantage. Worse yet, John inherited the fiscal and political disaster Richard left when he died. John was unlucky. He reaped the whirlwind that Richard had sowed, and he did not have the personality for riding whirlwinds.

  Modern historians ameliorate John’s military incompetence by pointing out that he did win battles and that he often lost them or was forced into retreat by the defection of his supporters. This is true. It is also probably the strongest indictment that can be brought against John’s military ability or personality, or both. Never did Richard’s nobles refuse to fight or desert him. They believed in him, trusted him, and died for him when he was wrong. Obviously John’s did not believe in him, did not trust him, and were not willing to die for him. This behavior was relatively consistent over a period of more than 15 years and must be meaningful. There can be no avoiding the fact that John’s subjects did not like him or respect him.

  The distaste for King John cannot be traced to political causes, and this seems to induce surprise in modern historians. But the people John reigned over were not historians looking back at the development of a nation. They were concerned with their own codes and mores. The contemporary hatred for John was based not in faults in the king but in “faults” in the man himself. John murdered subjects from time to time—but so did Richard. The difference in the reactions to the act brings us back to the word “honor”. Richard murdered his subjects in fits of rage or after open challenge. He did it in person, confessed, and grieved loudly after the act. John murdered by stealth, by the hand of an assassin, and denied complicity. This was “dishonorable”.

  Moreover, John preyed upon women. In the late twelfth and through the thirteenth century, the status of women was rising; Queen Eleanor (John’s mother) had brought the conventions of amour courtois, which venerated women and set them up as goddesses, into fashion; this was also the time of the cult of Mary, when the Mother came close to surpassing the Son in religious significance. This does not mean in hard fact that women were really venerated and well treated, but a conscience about them was developing. John did not even pay lip service to this conscience. He starved the wife and young son of William de Braose to death; he seduced and sometimes raped (by political if not physical force) the wives and daughters of his noblemen.

  Lloyd points out that John did not have more illegitimate children than other preceding English kings (except Richard, who possibly but not certainly had only one) and therefore claims that his reputation for lechery was unjust. This is nonsense. No one (except possibly a religious fanatic) expected a king, or any other man for that matter, to be chaste. Some were, and were praised for it, but those who were not were criticized very tepidly, if at all. Despite religious fervor, sins of the flesh were not important in medieval times; they were confessed and absolved as a matter of course. There was nothing Victorian in the medieval view of the body and its needs. The number of bastards a man fathered and acknowledged was irrelevant. What gave John a reputation for lechery was the fact that he dishonored “honorable” women, using his power to force compliance.

  Worst of all, John did not keep his word. He reneged on promises. Often these were unwise promises, and he was right, in modern terms, to go back upon them. In his own times his behavior was, again, “dishonorable”. To the medieval mind an “honorable” disaster was preferable to a “dishonorable” happy outcome. Of course, every man probably sidled around strict honor from time to time. John was simply unlucky or not astute enough to get away with his defections from the code.

  In any case, in his own time King John was accused of horror upon horror. It is unlikely he was guilty of all; it is equally unlikely that there was no real cause for the way his people and noblemen felt about him. John was the “evil king” of legend (Robin Hood and others) and the legends began in, or very shortly after, John’s reign. These legends were not generated by political considerations (as the legends about “ev
il” King Richard III were generated by the conquering Tudors), because John’s own son reigned after him.

  Under the circumstances, I have felt free to make John the “villain” of this book, although I have tried to express the duality of his personality. Because the central characters are fictional, all the machinations against them are, of course, constructed for the purposes of the story and are not real. However, the rumors about the death of John’s nephew Arthur (although not the story told by Sir Guy, who is also fictional), of his treatment of William, Earl of Pembroke, and his conflict with the Church and his barons are historical fact. The “evil” characters of Fulk de Cantelu and Henry of Cornhill are, again, contemporary judgments and come from a prejudiced source (Roger of Wendover’s Flowers of History). These men did the bidding of the king. Fulk disappears from history, but two other de Cantelus and Henry of Cornhill served John’s son with honor and distinction. Perhaps Roger of Wendover was unfair to these gentlemen, or perhaps it is true that a “dishonest master makes dishonest servants.” All in all, although I may have maligned the latter gentlemen, I do not believe there is any serious inaccuracy in my portrayal of King John.

  Certain words, however, have been used anachronistically as a convenience. The word “English,” as in English lords, English vassals, and so on, is the most important inaccuracy. These men were, of course, not English at all. Some had English blood, owing to intermarriage of the Anglo-Saxon nobility with the Normans who came with William the Bastard, but each successive king had brought followers from his own provinces. By the time of King John, there were Normans, Angevins, Poitevins, and many others. The mixture was complex, but, by and large, the entire nobility of England in the early 13th century was French. Thus, when the word “English” is used in this book, it means those noblemen whose major estates were in England and who spent most of their time in that country.

  The word “fewter” is another convenient inaccuracy. The fewter was a rest for a lance attached to the saddle, which had not been invented in the early 13th century. However the verb form of the word has been used to obviate the necessity for a long, involved phrase describing how a lance was held. A few other similar anachronisms appear, but I ask the reader to remember that styles in clothing and furnishings, in the wording of oaths and challenges, and so on, did not begin or change according to strict dates.

  The spelling of names is the final problem I must mention. There were no rules for spelling in medieval times, and when names had to be transliterated from one language to another, difficulties were merely multiplied. For example, the name of the Welsh Prince is Leolin in Roger of Wendover, Llywelyn in the Oxford History series, and Llewelyn in the Encyclopaedia Britannica; de Cantelu in Roger of Wendover becomes de Canteloupe in the Dictionary of National Biography; Alberic in Wendover is Aubery in the Oxford History and in the Encyclopaedia. Under the circumstances, I have felt free to be arbitrary, choosing the name I preferred for aesthetic reasons.

  If more serious errors appear, I would be most grateful to have them called to my attention. Although the “story” is a fiction, a real effort has been made to keep accurate the history that impinges upon it and into which it is set.

  R.G.

  Glossary of Medieval Terms

  BAILEY: any open area surrounded by the walls of a castle

  BAILIFF: a person charged with administrative duties of an estate; the agent who collects the income and manages an estate or farm for the landlord

  CASTELLAN: the governor or constable of a castle, assigned at the will of the “holder” of the castle and liable to removal at that “holder’s” will

  DEMENSE: the land held and possessed by the owner and not rented or controlled by any subordinate, such as a vassal or castellan

  DESTRIER: a war horse, a highly bred and highly trained animal

  DISSEISE: to put out of possession; to dispossess a person so that his legal heirs were also disqualified from inheriting; the term was usually used when the dispossession was wrongful

  HAUBERK: armor; the mail shirt made up of linked rings or chains of metal

  INTERDICT: a sentence issued by a high ecclesiastical officer (bishop, archbishop, or pope) who debarred a place or person from church functions

  JUSTICIAR: technically a judge, but one with considerable power

  KEEP: innermost, strongest structure or central tower of a castle, the place that served as a last defense; in general used to mean the whole castle

  LEECH: a person who treated injuries and sometimes illness, sometimes combining this with the profession of barber; not a learned physician but a doctor of sorts

  LEVY: a calling up of men for war or other purposes, the men being those who were required to do military service to “hold” their lands

  OFFAL: garbage, refuse

  PROVENDER: food, especially dried or preserved, like corn or salt meat and fish

  REAVERS: technically those who tear, split and cleave; thus, robbers who use great violence

  SQUIRE: a young man in training to be a knight; he attended upon a knight, exchanging personal service (combined valet, secretary, messenger, and bodyguard) in exchange for lessons in manners, fighting techniques, and military tactics

  TREBUCHET: a machine of war used for throwing stones; it could be mounted on ships or castle walls or carried

  TUN: a large barrel in which wine, ale or beer is stored

  VASSAL: a nobleman who held his lands on conditions of homage and allegiance, which included military service, from an overlord

  Vassals might be very great lords who held many large estates from the king or could be minor knights who held one small estate from another nobleman. In any case the tenure of a vassal was permanent and heritable by his children. The property could not be taken away from them legally except for high crimes, such as treason.

  VILLEIN: one step above the serf; equivalent to the sharecropper of the early twentieth century

  The villein was a free man (not bound to the land like the serf), but he did not usually own his land.

  WIMPLE: a veil of linen or silk worn by women and so folded as to envelop the head, hair, chin, sides of the face and neck

  Chapter One

  A lone knight in full armor spurred a tired, lathered horse up the winding road toward Roselynde Keep. That sight was so unusual in this year of our Lord 1206, the seventh year of the reign of King John—the accursed, as some called him—that the guard in the tower rubbed his eyes as if to clear his vision. Times had been bad periodically during the reign of King Richard because Richard did not love England, and the officers he appointed to rule and tax the land were often harsh. However, there was little lawlessness, and old Queen Alinor had been alive and had moderated any dangerous extremity in Richard’s demands.

  In 1199 Richard had been fatally wounded by an arrow at a siege he was conducting in one of the innumerable wars he waged. John, his youngest brother, the last of Henry Plantagenet’s wild brood, had come to the throne. Although John actually loved England the best of all his possessions, he was driven by political necessity to even greater harshness than Richard and, to make all worse, he was a vicious man. Then, in 1204, the old queen died, and a strong force for balancing necessity against unreasonable taxation disappeared. The spite and exactions of the king then fell so heavily on so many that marauders prowled the land, and the roads were unsafe. In these days, men who had stitch or stick about them rode in armed groups.

  Within the bounds of Roselynde’s demesne, this was less true. Sir Simon Lemagne and his wife Lady Alinor had kept the peace on their own lands for a time, but Sir Simon had been stricken with a violent disorder of pains in the chest and arms more than a year past, and in late June he had died. Sir Giles had come from Iford when Sir Simon first fell sick, but his wife was not of the stuff of which Lady Alinor was made, and he had had to return to his own lands lest they fall into total disorder. Lord Ian had come also, but the king had summoned him away to the wars in Normandy. Beorn, Lady Alinor�
��s master-at-arms, did what he could. There was still peace, although not what it had been in Sir Simon’s time. Nonetheless, the guard knew that this knight did not come from the lands around Roselynde. It was plain from the state of his horse and his garments that he had ridden far and hard.

  At the edge of the drawbridge, the knight pulled up his horse and shouted out his name. The guard’s face lightened, and he called an order down the tower. The portcullis was raised as swiftly as possible; this was a welcome guest. The guard’s surprise diminished when the knight said his troop followed and they should be passed when they arrived, but he still wondered what had brought his late lord’s friend so far and in such haste that he outstripped his men. It was, however, no business of his to ask questions. He turned back to his duty of watching as the knight rode through the outer bailey, across the smaller drawbridge, and under the inner portcullis into the inner bailey.

  Here a groom ran forward to take his horse, and a grizzled man-at-arms rose to his feet from a cask on which he had been sitting and watching two children, a girl of nine and a boy of seven, at play. The children looked up and tensed when they saw the true mail of a knight instead of the leather of a man-at-arms. Then they shrieked with joy and ran forward.

  “Ian!” the boy cried.

  The knight dismounted in one smooth movement, pushed off his helmet and shield, and bent to gather them to him, one in each arm. He kissed them both, then suddenly buried his face in the boy’s hair and began to sob. The children, who had been wriggling with delight, quieted at once.

  “Are you weeping because Papa is dead, Ian, or is there more bad news?” the girl, who was the elder, asked gravely.